Play Along Piano

Tags

Renaissance

''Matona mia cara'', Orlando di Lasso (1532 - 1597)

FarrierPete

2:57	Est. Play Time
116	Measures
	1,136Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	12	0	3	5	100%
	11	0	2	5	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	12	3	5	100%
	11	2	5	100%
Baritone	11	3	5	100%
Bass	12	1	4	98%

Meine Seel erhebt den Herrn

Bartók forever

0:24	Est. Play Time
8	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		14	0	4	6	100%
		12	0	1	6	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		14	0	4	6	100%
		12	0	1	6	100%

A Hornepype (shortened)

Bartók forever

3:19	Est. Play Time
76	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Virginal		22	3	3	9	100%
		13	11	0	7	93%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Virginal		22	3	3	9	100%
		13	11	0	7	93%

Modus Ludendi Pleno Organo Pedaliter. SSWV 157

Bartók forever

3:03	Est. Play Time
33	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Orgel	15	4	5	98%
	18	6	5	98%
	15	4	5	98%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Orgel	15	4	5	98%
	18	6	5	98%
	15	4	5	98%

What Then Is Love But Mourning

Bartók forever

0:39	Est. Play Time
10	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Countertenor		7	0	1	4	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Countertenor		7	0	1	4	100%

Canaris

Bartók forever

0:54	Est. Play Time
24	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		19	1	7	6	100%
		18	0	2	6	71%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		19	1	7	6	100%
		18	0	2	6	71%

Es_ist_ein_Schnee_gefallen

FarrierPete

0:21	Est. Play Time
15	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	7	0	1	5	100%
Bass	8	0	1	5	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	7	1	5	100%
Bass	8	1	5	100%
Soprano	5	0	5	100%
Tenor	8	0	5	100%

Cantio Belgica SSWV 108 (shortened)

Bartók forever

2:18	Est. Play Time
51	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe	16	0	4	6	98%
Orgel	18	0	5	7	97%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe	16	4	6	98%
Orgel	18	5	7	97%
	14	1	7	93%
Fagott	9	1	6	94%
Violoncello	11	1	6	76%
Klarinette in B	12	3	7	61%

Passametzo

Bartók forever

3:06	Est. Play Time
31	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		14	12	4	6	100%
		16	0	2	5	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		14	12	4	6	100%
		16	0	2	5	100%

Cabezón - Tiento sobre Cum Sancto Spiritu

Patrx2

2:50	Est. Play Time
99	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	21	0	6	6	93%
	12	0	3	3	19%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	21	6	6	93%
	12	3	3	19%
	17	4	4	70%
	11	2	3	17%

Preambulum 11. et 12. Toni

Bartók forever

0:51	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ		16	1	3	7	100%
		14	0	2	6	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ		16	1	3	7	100%
		14	0	2	6	100%

Praeludium

Bartók forever

0:53	Est. Play Time
9	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo	14	9	4	6	100%
	19	8	5	7	100%
Execution	19	19	2	6	67%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo	14	9	4	6	100%
	19	8	5	7	100%
Execution	19	19	2	6	67%

Come, Heavy Sleep for Guitar Duo, John Dowland

PreludeAndFugue

0:45	Est. Play Time
17	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
II		21	0	3	7	96%
I		19	0	4	7	87%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
II		21	0	3	7	96%
I		19	0	4	7	87%

Lachrimae Antiquae for Guitar Quartet

PreludeAndFugue

3:12	Est. Play Time
24	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
I	10	0	1	7	100%
II	11	0	2	8	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
I	10	1	7	100%
II	11	2	8	100%
III	11	1	7	100%
IV	21	3	8	96%

Guillaume Dufay - Credo from Missa l'Homme Armé (partim) for brasses

Plagal

2:57	Est. Play Time
70	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Trompet 1	14	1	3	13	91%
Trompet 2	12	0	3	11	91%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Trompet 1	14	1	3	13	91%
Trompet 2	12	0	3	11	91%
Trombone	12	1	3	9	90%
Trompet 3	11	0	1	5	77%

An_hellen_Tagen (instr)

FarrierPete

0:34	Est. Play Time
20	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	8	0	1	5	100%
	6	0	1	5	100%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	8	1	5	100%
	6	1	5	100%
Alto	8	1	5	100%
Bass	8	0	3	100%
Tenor	7	0	3	100%

Galliard 39, Francis Cutting

PreludeAndFugue

2:10	Est. Play Time
52	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		26	30	9	8	95%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		26	30	9	8	95%

Now is the Month of Maying

FarrierPete

0:52	Est. Play Time
20	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	9	0	2	5	100%
	6	0	1	5	100%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	9	2	5	100%
	6	1	5	100%
Alto	12	2	6	100%
Bass	10	1	6	100%
Tenor	11	2	6	100%